TSUNAMI PRESS: Difference between revisions
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|place_type=Studio | |place_type=Studio, Print shop, Publisher, Community space, Zine library | ||
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|machines=EZ390, RZ220 | |machines=EZ390, RZ220 | ||
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Tsunami Press is a risographic laboratory based in Lima, Peru, founded by Nat Mobe and Christian Sánchez. We work with two duplicators: an EZ 390ui (A3) with 8 colors and an RZ 220u (A4) with 4 colors. Tsunami Press emerged from the intersection of visual digression—drawing, photography, and typography—and experimental publishing, finding its natural medium in risography. | |||
We are drawn to this technique for its hybrid nature: a combination of digital publishing and the beauty of mechanical processes, with all their small imperfections. For us, printing is a form of exploration—a continuous process of trial and error that gives rise to objects with intention. We call them editorial artifacts: pieces meant not only to be read or seen, but to be experienced by those who encounter them. | |||
We see Tsunami Press as a meeting point where people, materials, ideas, and mistakes converge. We are driven by the belief that each print marks the beginning of imagining new ways of living together. | |||
Revision as of 00:19, 27 January 2026
| TSUNAMI PRESS | |
|---|---|
| Location | Miraflores, LIM |
| Country | Peru 🇵🇪 |
| Type | Studio, Print shop, Publisher, Community space, Zine library |
| Years active | 2024–present |
| Printer | Christian |
| Printer | Nataly |
| Services | Print for hire Workshops Print subscription |
| @tsunami.press | |
Tsunami Press is a risographic laboratory based in Lima, Peru, founded by Nat Mobe and Christian Sánchez. We work with two duplicators: an EZ 390ui (A3) with 8 colors and an RZ 220u (A4) with 4 colors. Tsunami Press emerged from the intersection of visual digression—drawing, photography, and typography—and experimental publishing, finding its natural medium in risography.
We are drawn to this technique for its hybrid nature: a combination of digital publishing and the beauty of mechanical processes, with all their small imperfections. For us, printing is a form of exploration—a continuous process of trial and error that gives rise to objects with intention. We call them editorial artifacts: pieces meant not only to be read or seen, but to be experienced by those who encounter them.
We see Tsunami Press as a meeting point where people, materials, ideas, and mistakes converge. We are driven by the belief that each print marks the beginning of imagining new ways of living together.